wandering apricot

July 25, 2008

A splendid little celebration

Filed under: food, friends — apricot @ 4:27 pm

上个星期我的生日很快了.

I probably wrote it wrong, but anyway…I am celebrating my birthday, and I had a lovely little sojourn down home last weekend to celebrate it with my family and friends. Because my friends are all scattered, it was nice to see the OC gals, the nucleus of all my friendships, for once. There was much eating, and boozing. Yes, I boozed rather heavily, particularly at brunch. I had about 4 or 5 mimosas, and thought I would pass out midway through dessert, as I stabbed unsteadily at the creme brulee.

We went out Friday night and thrashed on a dance floor, drank martinis, and went on a Del Taco run at about 1 in the morning. Delicious. We went out Sunday for brunch at Cafe Jardin in beachy Corona del Mar, tucked away into the quaint Sherman Gardens.

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July 13, 2008

Shifting food habits

Filed under: books, food — apricot @ 11:51 am

I picked up this book at the library last week. It took only about an hour to read, but offered a hearty serving of, well, food for thought (sorry for that). My main qualm about his book was his rather vague and imprecise references to the “Western diet.” He praises Mediterranean diets–and his forbears’ Jewish diet–for being much healthier than modern American food habits; yet he continually castigates “the Western diet” for its flawed nutritionism and failure to approach eating from a holistic standpoint. I suppose he is equating the “Western diet” with the American diet, although obviously France and Italy count as “the West,” right?

I do think Pollan made some very useful observations about how we eat, however. His wholesale denunciation of food science–for example, infusing whole grains and protein hither and thither–was interesting in sight of my history of medicine course a few terms ago. We studied science-fueled fads like the glandular extract craze of the late 19th/early 20th centuries and the attempts of scientists to reduce food to its component parts (carbohydrate, fats, etc). I feel a little less cynical towards having the extra bit of fiber in my ice cream than he does, I suppose, but I can buy his point that meddling with food can make it less healthful for the human body.

These days, a la Pollan, I avoid processed foods as much as possible; I don’t eat chips, soda, frozen meals, that sort of thing. I simply feel better when I eat food that I have made from scratch (although I haven’t gotten to the point of baking my own bread!). I find that Chinese, Thai, and Italian food are the easiest for me to make. However, I do like a spot of white rice and non-whole wheat pasta here and there.

Plus, when making my own food, I can count the calories, which is essential to my weight-monitoring. I have been counting them more or less every day since February and March, and it has really made a difference in how much I eat, and what I eat. Worlds of difference in how I feel! I am not obsessive about calorie-counting, especially when it comes to stuff like baby carrots, lettuces, and so forth, but do my best to be consistent about dense, rich foods like meat, oils, pasta/rice, and sugar. So that’s my main tip-of-the-hat to food science and nutritionism: I count calories.

But I am contemplating a few more changes on how I eat, what I eat. I have noticed that many of my friends are eating differently these days, too: lots are vegetarians, or lacto-ovo-pescatarians, or some variety thereof. Basically, the main question is: what do you eat, how, and why?

Subissues are:

1. Every time I am in the grocery store, I stand in front of the produce and debate whether I should go with organic or conventional. In your opinion, is organic worth it? I think fruit especially tastes better when organic, but…it’s so darn expensive.

2. Meat. I like meat. I don’t eat a lot of it; perhaps 3-4 oz. twice a day at most, and then infrequently. I have lots of vegetarian days inadvertently, because I think meat is too expensive. I don’t really eat beef, simply because I don’t care for the taste, but I love pork. And seafood. I can leave the rest. Should I eat meat? How?

3. CSA boxes–I have been hearing a lot about these. Are they worth it, and how much are they? I think I would just end up with a lot of wasted produce.

4. Other food books to recommend? Not so much recipes or diet books or “domestic fiction,” but some thoughtful, provocative discussions of food? I’d especially be interested in books that made you change something about your eating habits.

And to close out, here’s a picture of a shared meal for Mr. P and I: a cup white rice each (340 kcal!! Ridiculous!!), bok choy with garlic, Chinese chives speckled with bits of bacon, and an egg-tomato-scallion scramble. (and also my toes, although those are not for eating).

July 4, 2008

Hyperextension and ballet

Filed under: dance — apricot @ 9:54 am
Tags: ,

I’ve noticed that this blog is getting a lot of hits from people looking for information about hyperextension and ballet, or hyperextended legs. While I’m not at all an expert (this is a very poor substitute for a teacher or physical therapist), here’s a little bit of information on it that I’ve gleaned from class and other sources. Because much of this is based on personal experience and observation, much of it could be wrong. Just a disclaimer.

Hyperextension and line

As I wrote in my older post, hyperextension–and hyperextended legs, in particular–is key to giving ballet its distinctive “look.” The aesthetics of a dancer’s body are all about lines. Even ballet training itself is very much about geometry and structure. Think of how methodical barre is, and how fixed positions are–croisé devant, en face, effacé devant, ecarté devant, derriere, and so on. So when a teacher, critic, or balletomane exclaims that a dancer has a “beautiful line,” they are referring to the lines that radiate from the center of the chest through the arms and legs (and the rest of the body as well, although it is most obvious in the arms and legs…best expressed by an arabesque!). They may also be referring to the outline of the body more generally, but I think that’s slightly different. I always visualized the curves of the arms and legs as flourishes on stick figures; the stick lines supply precision and structure, while the curves are beautiful.

For example:

The slight tilt of her head shows how deviations from the straight and exact line of the body can be very lovely.

Part of the charm of a tutu, of course, is that it enhances and frames these lines (a long floofy skirt, of course, would tend to hide a dancer’s line a little bit more). The tutu above serves in part as a horizontal line, to contrast with the dancer’s vertical ones.

When a dancer is said to have a “beautiful line,” she has an ideal balance of these various curvy, straight elements. Part of this also has to do with body proportions, height and weight as well, but that’s another post. I suppose one could imagine the “line” as solely straight or curvy, as you prefer, but I imagine the line as both.

It looks like an S. Or in my imagination, an S with an invisible vertical line through it: $.

Hyperextension in the legs (but also the arms) is therefore a key element of the curvier side of the equation, to endow the legs with that much-desired “S” shape.

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July 3, 2008

Summer ‘08 update 1

Filed under: dance — apricot @ 4:15 pm

1. First, a super offensive commercial from Pampers:

White (wo)man’s burden: to take care of all the little colored babies of the world. I love the moms and babies in “ethnic” garb. Especially the toddler in the poncho that runs up to embrace the white woman. Vomitastic.

2. Language intensive is going well. Flash cards are lifesaving, though I have yet to implement the post-it strategy.

3. I have moved up to the intermediate/advanced ballet class. I am sucking again, which seems to happen every time I move up a level in dance class. I stand in the back of the studio during grand and petit allegro and mark the steps rather than dancing them. I am getting lots of corrections, however, which is useful. Occasionally embarrassing, but ballet is a singularly masochistic activity wherein being corrected and critiqued is desirable. Critiques may be harsh or friendly, but the worst thing is not being noticed at all…an especially brutal correction is at least proof that you’re worth a glance. No wonder professional ballerinas have so many emotional issues.

Also in ballet, I have achieved a long-desired goal this week: I can finally rest my forehead on my knee while stretching croisé devant at barre. It’s a sign that I’m one step closer to being able to do splits in 3 directions. However, I have also noticed that since I’ve been working on flexibility, my pelvis will give a little painless pop when I’m getting up from sitting for a long time. This occasionally happens when I stretch, as well, and then I can push the stretch a little further once the pop happens. Odd, but actually nice.

4. I’ve decided that I will move up to SF or Berkeley in late 2009, dissertation committee willing.

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